Juan Carlos Distéfano, one of Argentina's most important sculptors, died this Saturday at the age of 92 Source: Clarín. His career spanned painting, drawing, and sculpture, marked by themes of memory and the human condition.
Distéfano began his training at the Manuel Belgrano School of Fine Arts and later organized the Graphic Design Department at the Instituto Di Tella in the 1960s Source: Infobae. He pioneered the use of polyester resin and fiberglass, materials he found economical despite being "unpleasant to work with" Source: Clarín. His works, such as El mudo and Procedimiento, often depicted victims and bodies under duress, reflecting the political violence of 1970s Argentina Source: Infobae.
In 1977, after the military dictatorship banned his wife Griselda Gambaro's novel, the couple exiled to Barcelona Source: Clarín. They returned in 1980. Distéfano received numerous awards, including the Konex de Brillante, and represented Argentina at the 2015 Venice Biennale Source: Infobae. The Museo Nacional de Bellas Artes held major retrospectives in 1998 and 2022, the latter titled La memoria residual Source: Clarín.
Both sources highlight Distéfano's unique voice in Argentine art. Andrés Duprat, director of the MNBA, called him an "exceptional artist" who was "warm, wise, and generous" .
“Juan Carlos Distéfano fue un artista excepcional que ha aportado una voz original y singular en la historia del arte argentino. Para los que tuvimos la dicha de conocerlo y tratarlo, fue una persona cálida, sabia y generosa.”
“El poliéster es muy fuerte y permite situaciones que con otros materiales sería absolutamente imposible.”
“Un buen día nos enteramos por el diario de que había aparecido un decreto presidencial que prohibía el libro por nihilista... ¡Eramos como revolucionarios rusos!”
“Sus figuras —de una fuerza dramática y expresiva muy marcada— retrataron víctimas, cuerpos sometidos, existencias al límite.”