Charli XCX's seventh album 'Music, Fashion, Film' marks a deliberate departure from her era-defining 2024 record 'Brat,' swapping synthesizers for guitar-driven, often brief songs that reflect on post-fame anxiety and artistic identity. The 11-track, 30-minute album was written quickly after a period of acting roles and marriage, and features an album cover that places icons John Cale, Marc Jacobs, and Martin Scorsese in a kitchen — a deliberate gesture of curation and cool Source: CNN.
Critics are divided. The AP praises the 'coherent collaborative vision' with producers A.G. Cook and Finn Keane, and highlights tracks like 'Card Declined' and 'SS26' as standouts Source: AP. Euronews, however, finds many songs 'underdeveloped' and criticizes lead single 'Rock Music' for 'performative provocation,' calling the album 'frustrating' Source: Euronews. The BBC notes the album is 'smart, self-referential, funny, antagonistic' and quotes Charli saying she avoided a dance-leaning follow-up because it would have felt 'really sad' Source: BBC.
“The resulting album, titled Music, Fashion, Film, is smart, self-referential, funny, antagonistic and crammed full of moments to stimulate your inner earworm.”
“The album’s main cover doesn’t feature the pop star at all, but instead titans from the three sectors in the title: John Cale... Marc Jacobs... and the director Martin Scorsese”
“The new and very lean 30-minute LP starts off with 'Rock Music' - an inauspicious beginning which is rapidly redeemed by 'SS26', the sound of a polished apocalypse”
Overall, 'Music, Fashion, Film' cements Charli XCX's reputation as a pop contrarian, but its brevity and tonal shifts have left some listeners wanting more.
“The catchiest chorus of chords and drum machine on 'SS26' doesn’t have some of the rhythm of songs that offer a guitar-drums-bass reprieve, like 'Yeah' and 'Wink Wink.' But its distinct lack of the undeniable percussions that made 'BRAT' is welcomed.”