Anya Taylor-Joy returns to the miniseries format with 'Lucky', a thriller about a professional con artist on the run, which premiered on Apple TV+ to sharply divided reviews. While some outlets hail it as a streaming sensation, others pan it as a misfire.
Excélsior calls the series "the new sensation of streaming," praising its "impeccable execution" and "cinematographic visual deployment" Source: Excélsior. Infobae highlights the "emotional feminine heart" and Taylor-Joy's performance, noting that "action is born from emotion" Source: Infobae. However, El Confidencial delivers a scathing critique, labeling it "very bad" and citing the opening scene—where Taylor-Joy runs—as a sign of "narrative emptiness" Source: El Confidencial. The outlet argues that the series recycles tired mafia tropes and fails to engage.
Based on Marissa Stapley's novel, 'Lucky' follows Luciana "Lucky" Armstrong, a con artist who steals $10 million with her boyfriend, only to be abandoned and hunted by the FBI and a criminal syndicate. Taylor-Joy also serves as executive producer through her company Ladykiller, alongside Reese Witherspoon's Hello Sunshine Source: La Vanguardia.
“Lucky es muy mala, y se podía descubrir lo mala que era ya sólo leyendo el guion.”
“La crítica especializada posiciona a esta obra como una de las propuestas más entretenidas del año en plataformas de streaming.”
“Era muy importante que la acción naciera de la emoción, que no se sintiera como algo que simplemente estaba ocurriendo para ser entretenido.”
“Lucky es una adaptación de la novela de Marissa Stapley, que Reese Witherspoon recomendó en su club de lectura en diciembre de 2021.”