At the sixth bullfight of the San Fermín festival, Morante de la Puebla delivered a display of masterful repose and technical precision, yet his performance went largely unappreciated by the crowd. Both sources note that Morante's calm, templated style stood in stark contrast to the festival's usual frenzy, but the audience failed to recognize his artistry Source: infobae, elmundoes.
Borja Jiménez, by contrast, was gifted the most complete bulls of the Álvaro Núñez corrida, but his frantic approach failed to do them justice. Elmundoes describes how his rushed, knee-based faena ruined the exceptional 'Gavilán', while infobae notes that his sword failures cost him likely trophies Source: elmundoes, infobae.
Pablo Aguado, the third Sevillian, also struggled, managing only one excellent series of naturales before his bull lost momentum Source: infobae.
In the end, Morante's quiet brilliance remained overshadowed, proving once again that sometimes 'the people come to see him and don't know how to see him' Source: elmundoes.
“el temple, la calma y la magistral simplicidad con que el diestro sevillano se manejó con su lote fueron una brisa de aire fresco entre el bochorno”
“Morante de la Puebla volvió a Pamplona después de la tómbola de orejas y no se enteraron. Ni del modo de andar con el descarado toro, ni de asentarse con él.”
“Jiménez arrancó faena con la cabeza puesta en Pamplona, no en el toro, empleando pases cambiados de rodillas y una velocidad vertiginosa.”
“Los fallos con la espada privaron a Jiménez de algún más que probable de esos generosos trofeos que son ya norma de esta plaza”